That added to the strangeness and intimacy of what we were doing. That whole experience was different, too, because of the COVID atmosphere of it all. The smallest things like coming back to my hotel room were weird-you felt unconnected to your source. Even so, it was unmooring to not be home and sleeping in my own bed. We talked about this way in advance, and were prepared. I’m very entwined with their life, so filming abroad for an extended period of time would be an unusual step. We’ve had a very normal life, even though my kids have seen their father on TV. For my whole career, I’ve never left them for more than a week or so. It’s going to be a little bit of a new experience for us as a family.” I’ve really been unwilling to break some of the codes that we’ve had as a family before this. “There’s this movie I want to make, but I can’t shoot it in Philadelphia, near home. After I decided to buy it, I sat my family down and had a conversation. The source material is a graphic novel, I got it two years ago. It’s been a long time coming to shoot a film away from home. You just came back from making your first film away from home-how was that? You’ve spent your personal and cinematic life in Philadelphia and the Penn Valley area you were raised in so as to maintain a sense of normalcy. īelow, Shyamalan talks about adapting-not only to filmmaking in a post-COVID world, but also to working in TV, filming outside his native Philadelphia, and making room for others in his auteurist vision. ![]() When catching up with him at his home office and studio facility outside of Philadelphia-the place where he’s lived for fifty years and filmed his most scintillating, thought-provoking spook-fests-Shyamalan has just arrived home from the Dominican Republic where he filmed his next-to-be-released big screen endeavor, Old. ![]() Season two of Servant unleashes its bleak, beyond-Lynchian vision on the world, starting January 15, with a third season already in the writing stages. For his first-ever television series, Shyamalan has not only expanded his fearful vision into something serial-like and episodic, the auteur has also allowed other writers and directors to share and work within his furry field of vision. Little, though, has been scarier and more intimate than the provocative, twisted family tale of Servant on Apple TV +. In the last decade, however, with productions such as Devil and more intimate/interior films like The Visit and Unbreakable sequels Split and Glass, Shyamalan has begun to work smaller and scarier. ![]() Night Shyamalan has always used fear and suspense as his principle tools in which to tell hauntingly emotional-or emotionally haunting-stories of his own, and strictly his own, imagining. Going back to his earliest successes, such as The Sixth Sense, Unbreakable, and Signs, producer, director, and writer M.
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